Phono Classic Tube Phono Preamplifier – Black Finish By EAR

Jaguar is proud to offer EAR Electronics, widely regarded for producing some of the most musical and engaging tube amplifiers available. In a market crowded with high-end brands—many at far higher prices—EAR stands out for its visionary designs and exceptional sound quality. With multiple models to choose from, it’s easy to find a product that perfectly matches your system and the tonal character you’re seeking.

The EAR Phono Classic delivers one of the most liquid, captivating midranges available, making every recording utterly engrossing. It features Moving Magnet/Moving Coil compatibility, with 70dB of gain in MC mode, making it suitable for virtually every MC cartridge on the market. This tube phono stage offers exceptional versatility and listening pleasure at a price point far below its competitors. It uses three 12AX7 tubes for outstanding sonic performance; these long-lasting, readily available tubes also make it easy to experiment with tube rolling for further refinement. The Phono Classic rivals phono stages costing three times as much, offering world-class performance and musicality without compromise.

“Sonically the EAR was without electronic edge or glare, with a non-analytic cast to the proceedings. It tended to focus on the entirety of the music rather than breaking each recording down to its component parts. I find this ability more musically satisfying than components that neglect the forest for the trees. Transient control was very good, with good tracking of the decay of notes. Soundstaging and stereoscopy were believable and non-intrusive…I never found myself squinting with my ears or baffled by any aspect of the musical proceedings. I found noise to be a non-issue also.”
– Paul Szabady, Stereo Times

“The EAR 834P is a remarkable piece of work: a reference-quality phono preamplifier that would feel at home in a system of any price. At its sticker price it’s downright obscene. If you treasure analog as I do, particularly if you’re a fan of well-recorded classical works, you should treat yourself to an audition of the EAR.”
– Robert J. Reina, Stereophile

https://www.stereophile.com/phonopreamps/797ear/index.html

http://www.audiophilia.com/reviews/2016/5/25/

http://www.positive-feedback.com/Issue15/324.htm

http://www.positive-feedback.com/Issue6/ear324.htm

EAR Electronics (formerly “Esoteric Audio Research”) is the creation of legendary designer Tim de Paravicini, whose name has been synonymous with high-fidelity audio since the 1970s. His innovative designs have influenced not only EAR products but also some of the world’s most respected electronics manufacturers, with many of these designs remaining highly sought after by discerning listeners decades later.

De Paravicini’s contributions extend beyond high-end audio into professional recording and mastering. His tape recording systems, microphones, and other studio electronics have been used by artists such as Pink Floyd and Lenny Kravitz, labels like Altarus and Water Lily, and renowned engineers including Bob Ludwig, Joe Gastwirt, and James Guthrie. Top mastering facilities, including The Exchange in London, employ EAR-designed systems for their entire playback chain—from tape machines and equalizers to cutter amplifiers and monitors. Mobile Fidelity Sound Labs also relies on his LP cutting and playback systems.

EAR amplifiers are celebrated for delivering music with exceptional purity, free from the coloration and distortion common in most amplifiers. De Paravicini’s research into ultrasonic resonances, transient response, and the subjective effects of distortion has helped bridge the gap between technical measurements and musical perception. The result is a line of amplifiers renowned for transparency, accuracy, and lifelike reproduction—truly among the most faithful and musical amplifiers ever made.